Nasser Salameh’s uniqueness comes primarily from his diversity as a percussion player; not only does he master the intricate art of keeping Arabic style beats but he is also very efficient with Latin percussion such as congas and bongos, the Cajon which was adopted into the flamenco tradition, and many other percussion instruments from all over the word. In addition to his work with local groups such as Sign of Thyme, Nawazen, Turab, Sharq, Al Hanuneh, and the National Music Conservatory Orchestra, Salameh appeared with many regional and international outfits such as Karloma the Famous Palestinian group, The Wood Wind master Pedro Eustache from Venezuela, The Palestinian youth orchestra, and with the So many Oud masters from all over the world Salameh’s playing is most recognizable through his natural presence in every musical outfit he performs with, his dexterity and attention to detail allows him to articulate complex rhythmic structures with such ease that it makes it considerably more accessible to the listener. His work took him far and wide as he performed all over the world: from Jordan, Syria, Lebanon, Palestine, Tunisia, Morocco, Iraq, Egypt, Dubai and Bahrain to Italy, Germany, Sweden, Finland, Denmark, Austria, France, Belgium, Holland and Norway.