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20.1 - Samaee Rast
Continuing Samaee Rast by Tatius Afandi Tareq: Hello my name is Tareq Al Jundi from izif.com. today in our last lesson number 20 we will continue the third and fourth verse of Samaee Rast by Tatius Afandi. If we look at the third verse, the third bar of the third verse, we will notice transition notations. Today I want to talk to you more about transitions. I always passed along some information such as we transition from the signal of the scale resulting in sub scales. For example, in the previous lesson we talked about soznak scale, which is *Play* then Sol ♭ La ♮ Si Do, *Play* today we will notice that Bayat genre will appear from the 5th step Sol *Play* it has been agreed to name it Nayraz Rast, if I play *Play* Like this . let us read the third verse, which as I said will be the peak and we will use half position here. Do Si Do Sol La Si Do Re Mi Fa Mi Fa Mi Re Re Mi Re Do Do rest, up till here is Rast, now starts Bayat Si Do Re Mi Fa Mi Re Do Si Do Re Si La Sol La Sol Re Do Do Si Si La La Sol Sol rest Sol Re Re Do Do Si Si La La Sol Sol Fa Mi Re Mi Fa Sol La Sol Fa Mi Fa Mi Re Do Sol Fa Mi Re Mi Fa Mi Re Do Re Mi Fa Sol La Sol Fa Mi Re Re Mi Re Do Do Re Mi Fa Sol and back to chorus. I will try to play it 1 2 3 *Play* this was the third verse. Now the fourth verse 6/8 , fast tempo. First we read it Do Sol Sol Fa Sol La Sol Fa Sol Mi Fa Sol Fa Sol La Sol Mi Fa Mi Re Mi Do Re Mi Fa Sol La Si Do Re Mi Mi Mi Re Do Si La Sol La Si Do 1 2 3 Do Si La Sol La Si Do Re Mi Re Do Si La Sol Fa Mi Re Fa Mi Do Re Mi Fa Sol La Si La Sol Fa Mi Re Do La Sol Fa Mi Do Re Mi Do, and back to chorus. Let us try to play it this slowly *Play* notice the appearance of # Re which is the same as ♭ Mi, what we played here *Play* is the same as here *Play*. Let us try to play this verse a bit faster *Play* this concludes the fourth verse and it has to be played like this because it is a dance. Samaee is simple , notes wise it is very easy and I know it, but I will record it in a way that you may notice its details in order to produce beautiful music.

Course Video Lessons - Learn Oud 4
1 Opened Hand position shifting 14:34
2.1 Opened Sultani Yakah Longa 09:18
2.2 Opened Sultani Yakah Longa 06:58
2.3 Opened Sultani Yakah Longa 06:07
3.1 Opened Sultani Yakah Longa 05:02
3.2 Opened Sultani Yakah Longa 04:37
3.3 Opened Playing Sultani Yakah Longa 03:40
4.1 Opened Samaee Bayat 09:30
4.2 Opened Samaee Bayat 03:08
5.1 Opened Samaee Bayat 07:42
5.2 Opened Playing Samaee Bayat 06:02
6.1 Opened Thikrayati piece 07:49
6.2 Opened Thikrayati Piece 08:13
7.1 Opened Thikrayati Piece 08:20
7.2 Opened Thikrayati Piece 03:54
8.1 Opened Hijaz Kar Kurd Scale 05:08
8.2 Opened Samaee Hijaz Kar Kurd 05:05
9.1 Opened Samaee Hijaz Kar Kurd 07:20
9.2 Opened Playing Samaee Hijaz Kar Kurd 04:08
10.1 Opened Zarani Al Mahboub Acrostic 06:40
10.2 Opened Playing Zarani Al Mahboub Acrostic 01:28
11.1 Opened Explaining Al Husseini Longa 08:26
11.2 Opened Explaining Al Husseini Longa 06:48
12.1 Opened Explaining Al Husseini Longa 06:24
12.2 Opened Explaining Al Husseini Longa 01:39
13.1 Opened Mandira Hijaz 07:08
13.2 Opened Mandira Hijaz 04:01
14.1 Opened Mandira Hijaz 07:09
14.2 Opened Playing Mandira Hijaz 02:20
15 Opened Samaee Nahawand 10:10
16.1 Opened Samaee Nahawand 07:51
16.2 Opened Samaee Nahawand 05:56
16.3 Opened Samaee Nahawand 04:52
17 Opened Explaining Bulbul Longa 11:12
18.1 Opened Explaining Bulbul Longa 09:26
18.2 Opened Explaining Bulbul Longa 04:38
18.3 Opened Playing Bulbul Longa 04:06
19 Opened Samaee Rast 07:31
20.1 Opened Samaee Rast 05:54
20.2 Opened Playing Samaee Rast 03:57