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12 - Continuing the Acrostic “Lamma Bada Yatathanna
Mr. Tareq continues to explain the acrostic in detail. __ Hello My name is Tareq Al Jundi from i3zif.com. Today in lesson #12, we will continue Lamma Bada Yatathanna Acrostic. We will pick up where we left off, *Play music* we were here. Let us look at the next phrase starting at Re *Play music* last scale in the bar , Re , Sol *Play music* same thing, difference starts at ♭ Si, I have written Si Si Si Si Do Si La Do Si , just like Ta Ta Ta Ta Tati Tati Ta, let us play this phrase, *Play music*. next, Tati Ta Ta Tati Tati Tati Tati Ta, as if it is Si Do Re Do Re Do Do Si Si La Sol Si La *Play music* we played what we were just saying, the new part*Play music*, then ♮ Fa, *Play music* okay, let me repeat this phrase, notice the conversion of scale, because Fa # was *Play music* and now it is ♮ Fa. It is a scale we will talk about later, it is Ajam ♭ Si, there was a transformation here. Same scale can be played in many ways, if we start at ♭ Si *Play music* Do*Play music* Re*Play music* ♭ Mi *Play music*Fa *Play music*Sol*Play music* La*Play music* ♭ Si *Play music* so here we converted to ♭ Si . I am speaking about some things prematurely but just in case we hear this later on, we will remember it. Now from this phrase, from ♭ Si *Play music*next Tati Ta Ta Ta Ti Tati Tati Ta Ta Ta Ta Ta Ti Tati Tati Ta, notice that we have the same thing as the beginning *Play music* Fa # again *Play music* we can do some sort of fade out at the end, called Ritardando. I want to repeat Lamma bada Yatathanna acrostic, but I want to tell you something, remember the scale we talked about , Sama'ee Thaqeel, Dum Es Es Tak Es Dum Dum Tak Es Es, we can do *Play music* I will play with this Re, why? Because this Re is in the last Rest in the Sama'ee bar, look how I will play the whole Sama'ee.. I will start with 2 bars, 3 4 *Play music* I can repeat the last bar in treble. *Play music* I am trying to embellish a bit, I will give you one for the beginning , Re Sol *Play music* at Sol we can play the Sol cord (Nahawand Sol) which we will take later, Sol ♭ Si Re *Play music* I can also do *Play music* I played the Nahawand Do cord, only for Mi, like this *Play music* this is Lamma bada Yatathanna acrostic, very easy, very memorable and familiar, but it is very important to understand its components and mechanism, what is Sama'ee Thaqeel. Sometimes we may feel like it is a new and hard piece of information, but it Is basically from our heritage, it would be nice to know and analyze the Sama'ee Thaqeel. We have to practice it real well, and it would be nice to practice with a recording, try to play along with it, it would be much better.

Course Video Lessons - Learn Oud 3
1 Opened Right and Left Hand flexibility exercises 06:47
2 Opened Serto Nahawand of Jameel Baik Al Tanbouri 09:19
3 Opened playing the entire Serto Nahawand of Jameel Baik Al .Tanbouri 07:23
4.1 Opened Exercises to increase speed when playing Longas 05:14
4.2 Opened Additional exercises to increase speed 05:48
5 Opened The Half state of Al Ajam and Al Nahwand scales 07:47
6 Opened Nahawand Kafseer Hanim Longa 09:36
7 Opened Playing the entire Nahawand Kafseer Hanim Longa 09:25
8.1 Opened starting with Husseini Dance track 06:29
8.2 Opened Continuing to play Husseini Dance 04:50
9 Opened Last part of Al Husseini Dance 10:44
10.1 Opened Teaching Sama’ee Thaqeel rhythm 04:51
10.2 Opened Exercise on Sama’ee Thaqeel rhythm 06:04
11 Opened Andalusi Acrostic “Lamma Bada Yatathanna 07:00
12 Opened Continuing the Acrostic “Lamma Bada Yatathanna 07:06
13 Opened Arabic Sama’ee Bayat track 07:12
14 Opened Play Old Arabic Sama’ee Bayat 07:56
15 Opened Playing the entire Arabic Sama’ee Bayat 09:01
16 Opened Daily warm up exercises for the pick 07:10
17 Opened Daily hand exercises 08:04
18 Opened Noa Athar Sama’ee 07:44
19 Opened the second and third verse of Jameel Oweis’s Sama’ee 09:47
20.1 Opened the fourth verse and changing the scale 06:41
20.2 Opened Playing Noa Athar Sama’ee entirely 04:34
21 Opened Trioli Sign 04:53
22 Opened Shahrazad Longa 07:44
23.1 Opened Continuing Shahrazad Longa part 1 15:00
23.2 Opened continuing Shahrazad Longa 15:00