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3 - playing the entire Serto Nahawand of Jameel Baik Al .Tanbouri
Here, the instructor moves on to explaining the second verse of Serto Nahawand of Jameel Baik Al Tanbouri in detail, talking about some composers only using 2 verses when composing Al Serto Template. Mr Tareq explains also Al Nakreez scale, while .talking about using more than one scale while composing Mr Tareq plays the entire Serto so we can understand the structure of Al Serto template. He also emphasizes on the need to practice to be able to play advanced .tracks and templates on the Oud __ Hello, my name is Tareq Al Jundi from i3zif.com. today we will continue the second verse of Nahawand Serto by Jameel Bek Tanbouri, and we will revise the first verse and chorus. As you can see this serto is incomplete, it doesn’t have a third and fourth verse, sometimes the composer finds it enough to have chorus or Signo, first and second verse only. Take a look at the second verse, we have, Ta TiFi Ta Fa TiFi Ta TiFi Ta Fa TiFi Ta TiFi Ta Fa TiFi Tati Tati. Take a look at this phrase we have Fa #, so *Play music* this phrase will be repeated 3 times. *Play music* end of phrase 1 . look at the Fa # and ♭Mi, the spacing between my fingers, and I re-emphasize that the thumb has to be lowered, *Play music* next line, same as previous, only difference in the last 2 bars *Play music* last 2 bars Do Sol Mi Sol *Play music* at the end, Do Sol La Si Do. Here I have ♮La, ♮Si, remember the Nahawand Subbi scale we talked about in the first lesson, here it appears, in a simple phrase *Play music* we didn’t play ♭La in this finger, like this. *Play music* this phrase might be a bit difficult, because *Play music* and I will tell you to make it into an exercise and practice it. *Play music* like this, I only took the first part, Do Sol La Si Do Sol La Si and repeated it, resulting in this. I can also play it in treble, *Play music* like this, repeat verse #3, *Play music* notice how we converted the scale, because in Nahawand scale, Fa is ♮Fa, I will tell you the information beforehand, the first 4 or 5 notes *Play music* they are part of a scale called Nakreez. Which is *Play music* and I told you this beforehand to note that when a composer works on a piece, he doesn’t stay on the same scale, he goes through a few conversions, like we saw in the first verse when he played the ♮Mi *Play music* then ♭Mi *Play music* then chromatic *Play music* this is to break the routine and sense of boredom if the scale stays repetitive. When we finish this verse, we are supposed to go back to chorus. So we play the second verse and go back to chorus *Play music* this concludes the track. Now I will play it altogether to understand the structure of the serto *Play music* as we saw, we played chorus, then first verse , chorus, 2nd verse and finished with chorus . this track will not be finished within a week, not like previous tracks because this course is advanced, and there is some challenge. But there are more beautiful tracks, because the goal of developing techniques in our left and right hand is to be able to play phrases based on techniques, but will give us more aesthetic values by the end.

Course Video Lessons - Learn Oud 3
1 Opened Right and Left Hand flexibility exercises 06:47
2 Opened Serto Nahawand of Jameel Baik Al Tanbouri 09:19
3 Opened playing the entire Serto Nahawand of Jameel Baik Al .Tanbouri 07:23
4.1 Opened Exercises to increase speed when playing Longas 05:14
4.2 Opened Additional exercises to increase speed 05:48
5 Opened The Half state of Al Ajam and Al Nahwand scales 07:47
6 Opened Nahawand Kafseer Hanim Longa 09:36
7 Opened Playing the entire Nahawand Kafseer Hanim Longa 09:25
8.1 Opened starting with Husseini Dance track 06:29
8.2 Opened Continuing to play Husseini Dance 04:50
9 Opened Last part of Al Husseini Dance 10:44
10.1 Opened Teaching Sama’ee Thaqeel rhythm 04:51
10.2 Opened Exercise on Sama’ee Thaqeel rhythm 06:04
11 Opened Andalusi Acrostic “Lamma Bada Yatathanna 07:00
12 Opened Continuing the Acrostic “Lamma Bada Yatathanna 07:06
13 Opened Arabic Sama’ee Bayat track 07:12
14 Opened Play Old Arabic Sama’ee Bayat 07:56
15 Opened Playing the entire Arabic Sama’ee Bayat 09:01
16 Opened Daily warm up exercises for the pick 07:10
17 Opened Daily hand exercises 08:04
18 Opened Noa Athar Sama’ee 07:44
19 Opened the second and third verse of Jameel Oweis’s Sama’ee 09:47
20.1 Opened the fourth verse and changing the scale 06:41
20.2 Opened Playing Noa Athar Sama’ee entirely 04:34
21 Opened Trioli Sign 04:53
22 Opened Shahrazad Longa 07:44
23.1 Opened Continuing Shahrazad Longa part 1 15:00
23.2 Opened continuing Shahrazad Longa 15:00