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Trioli Sign
Here we are introduced to a new rhythmic sign which is Trioli. He gives the needed .exercises to master playing the Trioli __ Hello my name is Tareq Al Jundi from i3zif.com. today in lesson #21 we will learn a new sign called Triolet, or what is called Ta Fa Fi or Ta Ka Te. As you can see it is 3 connected croches and above them is #3. This results in each note having a time = 1/3 . 3 thirds equal 1, so it is 3 scales within the time of one scale. We know Ta, Tati I will show you here what I play *Play music* Tati is 2 scales within the time of 1, *Play music* here notice 3 equal scales *Play music* we call it TriOLet*Play music*, and we play it down up down down up down down up down *Play music* 3 scales within the time of 1. We can take it solely on Sol cord, like this *Play music*notice down up down down up down, for emphasis. We could play it with the exercises we learned for the picks, and increase speed gradually *Play music* look here at the exercise we have 2/4 scale, TriOLet Ta TriOLet TriOLet TriOLet Ta Tati Ta TriOLet Tati TriOLet TriOLet Rest Ta 1 2 *Play music* like this. I will play while sounding it *Play music* TriOLet Ta TriOLet TriOLet TriOLet Ta Tati Ta TriOLet Tati TriOLet TriOLet Rest Ta . the following exercise is the one I told you about, play TriOLet solely, *Play music* and apply it on all scales, for example Rast scale, we haven't used it so far for application*Play music* now we will play exercise #3 , let us take a look Do Re Mi Re Mi Fa Mi Fa sol Fa sol La , the first part starts with Do, then Re, Mi , Fa, Sol, La, then ascending Do Si La Sol Fa Mi , it will be like Do Re Mi Re Mi Fa *Play music* we will feel like down up down down up down is hard at first *Play music* back, Do Si La Si La Sol *Play music* like this. I will repeat it *Play music* the entire exercise *Play music*, the same TriOLet can be played on the chromatic *Play music* and back. This unit is very important, because our mind automatically divides by an even number, for example Ta-> Tati , down up down up down up. But when I have down up down down up down, we need to have a form for emphasis. Emphasis is always strong on the first note. This unit is very important , and we will use it in a track, not in this course, in the following course. But I thought it was important to present it this way to keep it in your mind. We heard it in Mawteni, and I explained it in that stage. But here it will be part of our daily routine.

Course Video Lessons - Learn Oud 3
1 Opened Right and Left Hand flexibility exercises 06:47
2 Opened Serto Nahawand of Jameel Baik Al Tanbouri 09:19
3 Opened playing the entire Serto Nahawand of Jameel Baik Al .Tanbouri 07:23
4.1 Opened Exercises to increase speed when playing Longas 05:14
4.2 Opened Additional exercises to increase speed 05:48
5 Opened The Half state of Al Ajam and Al Nahwand scales 07:47
6 Opened Nahawand Kafseer Hanim Longa 09:36
7 Opened Playing the entire Nahawand Kafseer Hanim Longa 09:25
8.1 Opened starting with Husseini Dance track 06:29
8.2 Opened Continuing to play Husseini Dance 04:50
9 Opened Last part of Al Husseini Dance 10:44
10.1 Opened Teaching Sama’ee Thaqeel rhythm 04:51
10.2 Opened Exercise on Sama’ee Thaqeel rhythm 06:04
11 Opened Andalusi Acrostic “Lamma Bada Yatathanna 07:00
12 Opened Continuing the Acrostic “Lamma Bada Yatathanna 07:06
13 Opened Arabic Sama’ee Bayat track 07:12
14 Opened Play Old Arabic Sama’ee Bayat 07:56
15 Opened Playing the entire Arabic Sama’ee Bayat 09:01
16 Opened Daily warm up exercises for the pick 07:10
17 Opened Daily hand exercises 08:04
18 Opened Noa Athar Sama’ee 07:44
19 Opened the second and third verse of Jameel Oweis’s Sama’ee 09:47
20.1 Opened the fourth verse and changing the scale 06:41
20.2 Opened Playing Noa Athar Sama’ee entirely 04:34
21 Opened Trioli Sign 04:53
22 Opened Shahrazad Longa 07:44
23.1 Opened Continuing Shahrazad Longa part 1 15:00
23.2 Opened continuing Shahrazad Longa 15:00