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15 - Playing the entire Arabic Sama’ee Bayat
The instructor here explains the third verse of Ols Arabic Sama’ee Bayat. He talks about Al Hijaz scal and then moves on to the fourth verse of Al Saba scale.Mr. Tareq plays the Old Arabic Sama’ee Bayat track entirely, and he talks about the possibility .to play with your fingers without the pick in some special cases __ Hello my name is Tareq Al Jundi from i3zif.com, and today in lesson #15 we will continue the third and fourth verse from Sama'ee Bayat Arabi Old. Take a look at the third verse, we have Sol Fa Sol La Sol Fa Sol La Si La Sol Fa Mi Fa Sol Fa Mi Fa Sol Fa Mi Fa Sol La Sol Fa Mi Re and notice how Fa # appears, this scale is Hijaz *Play music*. Let us play *Play music* a very easy phrase Sol Fa Sol La Sol Fa Sol La Si La Sol Fa Mi Fa Sol Fa Mi *Play music* again, I can play this cord too *Play music* chorus *Play music* now to seconda *Play music* notice the conversion of scales, here I had Hijaz scale, the second verse was Rast scale. Now let us go to the fourth verse and discover the scale. Notice that we have the ♭ Sol, we are not very familiar with this scale, let us try to read it: Fa Sol Fa Sol Fa Mi Re Do Re Mi Fa Mi Re Mi Fa Sol Fa Fa Mi Fa Mi Mi Re Re Re Mi Fa Fa Sol La Si Do Re Do Si La Sol Fa Sol Fa Mi Fa Mi Fa Mi Re Fa Mi Re Do Re, now read it rhythmically: Ta Ta Tati Tati Tati Tati Ta Tati Ta Ta Tati Tati Tati Tati Ta Tati Ta Ta Ta Tati Tati Tati Tati Ta Tati Ta Ta Tati Tati Tati Tati Ta let us play it , 3 4 *Play music* this is Saba scale, repeat it *Play music* this way we have finished the Sama'ee. Okay, now I will repeat it from the beginning to understand its order: first verse, chorus, second verse, chorus , third verse, chorus, fourth verse and chorus. Now to save time, I will not repeat the prima and seconda in the chorus, I will only repeat the seconda, therefore the chorus will be played only once, and we can do this because the Sama'ee is usually composed slow and long, 1 2 3 *Play music* notice in some places instead of playing the bass, instead of using for example this *Play music* I would use my fingers sometimes, it is possible, because sometimes I don't want this *Play music* I don’t want a high pitch, I want a lower one *Play music* but at this stage, let us not use our fingers, but gradually our hands will move in a smoother way, and some tracks we will use our fingers in , not the pick. But at this stage let us use the pick, and know how to use the bass with the notes we have. This concludes the Sama'ee Bayat Arab Old.

Course Video Lessons - Learn Oud 3
1 Opened Right and Left Hand flexibility exercises 06:47
2 Opened Serto Nahawand of Jameel Baik Al Tanbouri 09:19
3 Opened playing the entire Serto Nahawand of Jameel Baik Al .Tanbouri 07:23
4.1 Opened Exercises to increase speed when playing Longas 05:14
4.2 Opened Additional exercises to increase speed 05:48
5 Opened The Half state of Al Ajam and Al Nahwand scales 07:47
6 Opened Nahawand Kafseer Hanim Longa 09:36
7 Opened Playing the entire Nahawand Kafseer Hanim Longa 09:25
8.1 Opened starting with Husseini Dance track 06:29
8.2 Opened Continuing to play Husseini Dance 04:50
9 Opened Last part of Al Husseini Dance 10:44
10.1 Opened Teaching Sama’ee Thaqeel rhythm 04:51
10.2 Opened Exercise on Sama’ee Thaqeel rhythm 06:04
11 Opened Andalusi Acrostic “Lamma Bada Yatathanna 07:00
12 Opened Continuing the Acrostic “Lamma Bada Yatathanna 07:06
13 Opened Arabic Sama’ee Bayat track 07:12
14 Opened Play Old Arabic Sama’ee Bayat 07:56
15 Opened Playing the entire Arabic Sama’ee Bayat 09:01
16 Opened Daily warm up exercises for the pick 07:10
17 Opened Daily hand exercises 08:04
18 Opened Noa Athar Sama’ee 07:44
19 Opened the second and third verse of Jameel Oweis’s Sama’ee 09:47
20.1 Opened the fourth verse and changing the scale 06:41
20.2 Opened Playing Noa Athar Sama’ee entirely 04:34
21 Opened Trioli Sign 04:53
22 Opened Shahrazad Longa 07:44
23.1 Opened Continuing Shahrazad Longa part 1 15:00
23.2 Opened continuing Shahrazad Longa 15:00