Ney
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Dialogue Text
Mr Rida gives a musical sentence on Al Bayyati scale while playing the same sentence using embellishment with the back hole. He introduces us to a very important Ney player, Mr Hussein Fadel and explains his role in playing solos in Fareed Al-Atrash songs. __ We will play a track on the second breath, Al Bayyati scale. *Play music* I will play the same tune but embellish it. *Play music* I used the back hole here *Play music* again, the same tune I played at first *Play music*. Altogether now *Play music* this is the embellished tune . we played the basic tune, and when I embellished it or as we say musically reform it, and make a new variation. So we learned how to embellish, like this *Play music* we added some embellishment, reformed it and beautified it and we used the back hole. *Play music*this has 2 forms, one from here *Play music* and another form from below *Play music* without using the back hole, same sound *Play music* same sound. But this as well, we will learn it at a later stage. I would like to say something, I would like to say that there was a Nay player, a very nice guy, one of the old musicians, his name is Hussein Fadel. Hussein Fadel is a pioneer in the Nay, in the period right before Mr. Iffat . Most of Fareed Al-Atrash’s old songs and solos played in his songs are for Mr. Hussein Fadel. One of the pioneers whom we all learned and benefited from in playing. We must know who the Nay masters and pioneers are, which is why in each lesson I talk about one the musicians and pioneers. 90% of Fareed Al Atrash’s old songs ,Mr. Hussein Fadel played in. May his soul rest in peace. I will see you in the next lesson, Good bye. Regards
About Teacher
Reda Bedair
Reda Bedair
Reda Bedair was born in Alexandria, 1951 AD. At this time, he learned at the hands of senior masters, one of them was the Turkish Professor Milad Mansour, the zither player. Reda learned the Arabic strophic poems (Muwasshahat) and the music keys (Maqamat) and was taught by the Italian master Costa Menolli, the pianist, to enhance reading the musical note until he joined the Arab Music Institute in Alexandria to polish his talent and begin the right way. He learned the Oriental keys and the rhythmical meters at the Institute and learned the rules of reading the musical note that he had been taught before by the Masters. Beside his study at the Arab Music Institute, He studied outside the Institute with other professors as there was no study of the “Nay” instrument at the Institute. At the age of twelve, his artistic talent was adopted by one of the Revolution’s men, Mr. Hussein El-Shafeei, Deputy of the late President Gamal Abdel-Nasser. At this young age, Reda started working with several bands in Alexandria city among them was the Radio (broadcasting) band. His name started shining in the sky of Alexandria city… he become the most famous “Nay” player in Alexandria. The Egyptian Ministry of Culture honored him in the attendance of President Mohammed Hosni Mubarak, in the inauguration of the New Nubia Museum in Aswan. Mr. President asked him about his distinct artistic work of the Pharaonic “Nay”, which acquired a worldwide reputation and has been broadcast on stations of all countries of the world.

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